I really like the Long gallery, and I'm a bit worried about the lighting in the other places - I only had the camera on auto so if you're all confident with the canon camera and think we could get around it they should be fine.
I'm gonna email them either today or tomorrow - possibly tomorrow after our meeting so we know what shots we need and will have a better idea of a time frame. =]
Sunday, 29 March 2009
This is that scene that i was on about in Constantine. You all know it but just to get more of a visual about the emphesis of the door closing. all sound is rising with faster cuts and growing closeups of the Door latch. Deffinately a plausable shot to rob
Took a camera out with me when I popped down to the shops earlier and found a possible location for the mugging scene. Its a small road/alley that seems relatively quiet that could be ideal for shooting.
Just the basic schedule for the rest of the semester. If there's anything you want changing or anything just comment and that. I'll post some useful stuff at the weekend :P
Run Lola Run influenced me a lot whilst I was coming up with the original concept for the film so I thought Id mention it here.
I also think that the flashback featured in the sequence shown above is a great example of how still photography can be used within film as we ourselves are attempting to use still photography in a similar context. The use of quick cuts between still images accompanied with the sound of a camera taking images creates the idea that someone has been and documented these events, showing us a snapshot into the persons life.
Overall I think that such approaches to film making is visually very pleasing and would suit our film, however as our flashbacks are going to be used as one of the main story telling devices I think they should be considerably longer than the ones featured in Run Lola Run.
Every Monday morning, a team of advisers welcome in a facility a group of people that has just died with the mission of helping each one of them to select their best memory that will last for the eternity in the first three days. On Thursday, filmmakers begin to recreate the selected memory, and at the end of the week they screen it in a movie theater and he or she then moves on to Heaven.
Here are two stills that I took from the film.
The establishing shot above I really like as it gives a sense of unknown, mainly due to the fact that the viewer is unable to establish the location of the building the scene is set in which gives it a sense of mystery. During this shot you can hear the sound of a bell ringing which I thought was very effective and something I'd like to include in our film.
This shot I like for its simplicity. The way it is set out with just and old table and empty chair, and the two windows either side in the background. Also the way in which the camera is postitioned puts you in the point of view of the person sat at the otherside of the table.
I thought the film was good and had some interesting shots and locations, I found the first 10 to 20 minutes of the film particually relevant on what we're intending to create. I think that the two shots I pointed out above could work well within our film and hopefully include them somewhere.
Don't get the visual at all, and it's just not relevant to our project. The sound however is really interesting, mainly the sound effects behind the actual voice over/narration. The sounds we are hearing actually fit well with whats being said, and changes as the words do, when Hell is mentioned the same sound is heard every time, almost like a sound track. So when we hear this particular sound we immediately think of Hell.
We could even create a sound track for each person we see, so something like this for the two people we see have a bad flashback and something not exactly birds singing sort of thing but just something mellow, to show the difference in the people....